Year(s)
Issued | Signatories | Description (Reference) |
Very
Good | Fine | Very
Fine | Extra
Fine |
Almost
Uncirc. | Crisp Flat
Uncirc. |
| 1913-18 | Collins/Allen | Prefix of P with Red Serials. (V.17a) |
7,500 | 16,500 | 37,500 | 57,500 | 77,500 | 100,000 |
| 1913-18 | Collins/Allen | Prefix of Q, R, S, T with Dark Blue Serials. (V.17b) |
900 | 2,250 | 6,000 | 15,000 | 32,500 | 50,000 |
| 1913-18 | Collins/Allen | Prefix of T with Large Black Serif Serials. (V.17c) |
950 | 2,250 | 6,000 | 16,500 | 30,000 | 45,000 |
| 1913-18 | Collins/Allen | Suffix A to H, J to L, P to T. (V.17d) |
550 | 1,250 | 3,500 | 9,000 | 15,000 | 22,500 |
| 1913-18 | Collins/Allen | Prefix of A & Suffix B to H, J to M. (V.17e) |
600 | 1,300 | 3,500 | 9,500 | 15,000 | 22,500 |
| 1914-15 | Collins/Allen | Emergency Issue. (V.19a) |
14.500 | 25,000 | 40,000 | 60,000 | 80,000 | 100,000 |
| 1914-15 | Collins/Allen | Rainbow £1
'No.' in Serial (V.19ba) |
6,000 | 11,500 | 21,000 | 35,000 | 42,500 | 53,000 |
| 1914-15 | Collins/Allen | Rainbow £1
'No.' omitted. (V.19bb) |
8,000 | 15,000 | 27,500 | 50,000 | 62,500 | 75,500 |
| 1918-23 | Cerutty/Collins | (V.18) |
325 | 750 | 2,250 | 5,500 | 10,000 | 16,500 |
| 1923-25 | Miller/Collins | T S Harrison
Large Prefix (V.20a) |
3,500 | 7,000 | 14,000 | 27,500 | 40,000 | 57,500 |
| 1923-25 | Miller/Collins | T S Harrison
Small H Over Serial (V.20c) |
400 | 800 | 1,950 | 4,500 | 8,750 | 13,500 |
| 1923-25 | Miller/Collins | No imprint
Large Prefix (V.20b) |
14,500 | 28,500 | 50,000 | 75,000 | 100,000 | 125,000 |
| 1923-25 | Miller/Collins | No imprint
Small H Over Serial (V.20d) |
350 | 650 | 1,500 | 4,000 | 7,000 | 11,500 |
| 1926 | Kell/Collins | (V.21) |
200 | 400 | 850 | 2,750 | 5,000 | 8,250 |
Year(s)
Issued | Signatories | Description (Reference) |
Very
Good | Fine | Very
Fine | Extra
Fine |
Almost
Uncirc. | Crisp Flat
Uncirc. |
| 1927 | Kell/Heathershaw | (V.22) |
250 | 550 | 1,100 | 4,000 | 6,500 | 10,500 |
| 1927-31 | Riddle/Heathershaw | (V.23) |
70 | 150 | 350 | 800 | 1,450 | 2,500 |
| 1932 | Riddle/Sheehan | Thick Sheehan Signature (V.24a) |
225 | 450 | 1,000 | 3,250 | 6,500 | 10,500 |
| 1932 | Riddle/Sheehan | Thin Sheehan Signature (V.24b) |
120 | 250 | 550 | 1,500 | 3,000 | 5,500 |
| 1933-38 | Riddle/Sheehan | Reduced Size (V.25) |
60 | 120 | 250 | 600 | 1,000 | 1,750 |
| 1938-41 | Sheehan/McFarlane | (V.26) |
20 | 40 | 80 | 300 | 500 | 800 |
| 1942-48 | Armitage/McFarlane | Dark Green design (V.27) |
12 | 20 | 40 | 115 | 240 | 350 |
| 1942-48 | Armitage/McFarlane | Light Green design (V.27) |
12 | 20 | 40 | 115 | 240 | 350 |
| 1942-48 | Armitage/McFarlane | Star Note (V.27s) |
1,600 | 4,000 | 10,000 | 20,000 | 32,000 | 45,000 |
| 1949-51 | Coombs/Watt | (V.28) |
12 | 20 | 40 | 120 | 235 | 435 |
| 1949-51 | Coombs/Watt | Star Note(V.28s) |
625 | 1,200 | 3,100 | 9,000 | 18,000 | 27,500 |
| 1952-53 | Coombs/Wilson | (V.29) |
12 | 25 | 45 | 120 | 225 | 400 |
| 1952-53 | Coombs/Wilson | Star Note (V.29s) |
675 | 1,350 | 3,500 | 10,000 | 20,000 | 30,000 |
| 1953-60 | Coombs/Wilson | Commonwealth Bank (V.30a) |
8 | 15 | 30 | 60 | 80 | 115 |
| 1953-60 | Coombs/Wilson | Star Note (V.30as) |
200 | 425 | 1,150 | 3,000 | 7,250 | 12,500 |
| 1961-66 | Coombs/Wilson | Reserve Bank
Dark Green reverse (V.30b) |
8 | 15 | 30 | 60 | 70 | 100 |
| 1961-66 | Coombs/Wilson | Star Note
Dark Green reverse (V.30bs) |
210 | 450 | 1,200 | 3,250 | 7,750 | 13,500 |
| 1961-66 | Coombs/Wilson | Reserve Bank
Emerald Green reverse (V.30c) |
8 | 15 | 30 | 60 | 70 | 100 |
| 1961-66 | Coombs/Wilson | Star Note
Emerald Green reverse (V.30cs) |
165 | 375 | 900 | 2,500 | 6,000 | 10,000 |
Notes:
The references shown in parentheses in the above table are those of Michael P Vort-Ronald - 'Australian Banknotes', 1979.
The design on the back of standard Commonwealth of Australia one pound notes issued between 1913 and 1923 features a vignette of underground gold mining at Bendigo in Victoria. In 1923, this design was replaced with an illustration of Captain Cook's landing at Botany Bay. The plates were engraved by T H Harrison from a painting by E Phillips Fox in the National Gallery of Victoria.
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